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Philip Jeck

Philip Jeck is an artist of the "Sound Works Exchange". His material is vinyl. He manipulates the records live with his ‘doctored grooves’. Jeck also uses tape loops and a cheap Casio keyboard to create a lo-tech jungle without the breakbeat - a collision of sources rendered unrecognisable through speed changes, short loop lengths and distortion. The progressive degeneration of material through successive re-recordings is celebrated in Jeck's blissed out, textural aesthetic. The medium loops back on itself and enhances its own idiosyncratic qualities. "Its similar to the way I'm working with sound: just textures and landscapes. You're not quite sure what they are and it doesn't matter," says Jeck. "I'm not brilliant at keeping time with tunes or whatever," Jeck continues, outlining his idiosyncratic and primitive approach to sound construction. "With looped records or looped tapes the rhythmic structure looks after itself. I listen to the sound and change the tone controls actually on the record players. And I really only use two effects - an old cheap reverb which goes wrong occasionally and a guitar delay pedal. I just fiddle around with the controls until it sounds right."You see here his installation 'To the bridge' with 29 record-player and timers. (Goethe-Forum May 1998, Munich):



 



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